Conflict (1945 film)

Conflict

Theatrical release poster
Directed by Curtis Bernhardt
Produced by William Jacobs
Written by Alfred Neumann (story)
Robert Siodmak (story)
Arthur T. Horman
Dwight Taylor
Starring Humphrey Bogart
Alexis Smith
Sydney Greenstreet
Music by Frederick Hollander
Cinematography Merritt B. Gerstad
Distributed by Warner Bros.
Release date(s) June 15, 1945 (1945-06-15)
Running time 86 minutes
Country United States
Language English

Conflict (1945) is a black-and-white suspense film noir made by Warner Brothers. It was directed by Curtis Bernhardt, produced by William Jacobs with Jack L. Warner as executive producer from a screenplay by Arthur T. Horman and Dwight Taylor, based on the story The Pentacle by Alfred Neumann and Robert Siodmak. It starred Humphrey Bogart, Alexis Smith and Sydney Greenstreet. The film is the only one which Bogart and Greenstreet co-starred and Bogart, not Greenstreet, was the villain or corrupt character.[1]

Contents

Plot

On the surface, Richard (Humphrey Bogart) and Kathryn Mason (Rose Hobart) appear to be a happily married couple. But on their fifth wedding anniversary, Kathryn accuses Richard of having fallen in love with her younger sister, Evelyn Turner (Alexis Smith), who is visiting them. He does not deny it, but has resigned himself to leaving things as they are, since he is certain Kathryn would not give him a divorce. At a party celebrating the couple's anniversary hosted by family friend and psychologist Dr. Mark Hamilton (Sydney Greenstreet), Evelyn meets with Mark's handsome young colleague, Professor Norman Holdsworth (Charles Drake). On the way home, Kathryn suggests to Evelyn that their mother is lonely, so Evelyn decides to move home. Distracted by this unwelcome news, Richard crashes their car and suffers a broken leg. He then decides to take desperate action.

Richard pretends to require a wheelchair, even after his leg has healed; his puzzled physician, Doctor Grant (Grant Mitchell), diagnoses the problem as psychological, not physical. He suggests exercise, so a car trip to a mountain resort is arranged. At the last minute, Richard has to stay home to do some work; he has Kathryn go on ahead by herself. She is blocked on a narrow deserted mountain road by a parked car. Richard walks unexpectedly out of the fog and kills her. Afterward, he pushes her car down a steep slope; it dislodges some logs which crash down and hide the automobile. He returns home in time to set up an alibi by meeting with employees he had summoned. He then notifies the police that she is missing.

However, things happen to make Richard wonder if Kathryn somehow survived. First, a hobo is picked up by the police; when Richard and Evelyn identify a cameo ring found in his possession as belonging to the missing woman, the tramp admits to having stolen it from a woman matching Kathryn's description after her disappearance. Then Richard smells Kathryn's perfume in their bedroom. He later finds her key to a home safe; when he opens the safe, her wedding ring is inside.

Mark suggests Richard and Evelyn join him on a fishing vacation to relieve the strain. Mark also invites Holdsworth, who takes the opportunity to ask Evelyn to marry him. She is undecided. When she tells Richard, he believes her hesitation is because of him. He tells her he loves her, and that she must feel the same about him, but she strongly denies it. Realizing his mistake, he encourages Holdsworth to try again.

Then a pawn shop claim ticket is mailed to Richard, addressed in what appears to be his wife's handwriting. When he goes to the pawn shop, he finds Kathryn's locket. Finally, a woman looking and dressed like his wife passes by on the street while he is in a shop. He follows her to an apartment, but when he has the owner show him the place a few minutes later, there is no one there.

It turns out that it was all designed to make Richard incriminate himself. He had given himself away to Mark when he told detectives she was wearing a rose the last time he saw her. Mark gave Kathryn the rose after she had left her husband, something Richard should have had no way of knowing. Kathryn's corpse was found, but Richard was not told. The ploy works. Richard returns to the murder scene to see if her body is there; the police and Mark Hamilton are there waiting to arrest him.

Cast

Critical reaction

Film historians Alain Silver and Elizabeth Ward comment, "The film is particularly memorable for the use of the song 'Tango of Love' as leitmotif to indicate the putative reappearance of Katherine, with the background strings translating the scent of perfume; the opening trucking shot through the rain-soaked night up to the window of the Mason house, which allows the audience to eavesdrop on the dinner party; and the sinister appearance of Bogart as he steps out of the shadows to murder his wife."[1]

References

  1. ^ Silver, Alain, and Elizabeth Ward, eds. Film Noir: An Encyclopedic Reference to the American Style, film noir analysis by Bob Porfiero, page 13, 3rd edition, 1992. Woodstock, New York: The Overlook Press. ISBN 0-87951-479-5.

External links